My first book recommendation for 2016

On a scale of emotional reading rated 1-10, I’m in the neighborhood of a 10 when it comes to getting ‘feels’ about books. I want a book to make me feel something. I don’t even mind if it’s anger or confusion, but I need to feel some sort of emotion when I’m reading. This goes for books I read for pleasure and books I read to my storytimers (at times, these categories overlap, of course). If I feel happy when I’m reading a picture book, it will come through to my littlest ones in my programs. If I’m feeling sad, it comes through as well. I try to avoid the sad books in storytime. But, sometimes those sad books are so beautiful that I do a mini book talk to the parents and grandparents of my storytimers while the kids are choosing their books for the week. I have several parents who ask me for recommendations for books for their children and some who I just sort of butt in and say, “Have you guys read this yet? I think you’ll like it!” and they tend to placate me by taking it and checking it out.

I’ve mentioned before that I process all the new books that come into my library, so I have a chance to read the new picture books before I put them out on the shelf. I also read the publisher magazines to get a feel for what’s coming my way. That way, I can also get my name on the hold list to ensure I get a copy of a certain book if I know I definitely want it at my branch. This scenario happened last week with a book I’ve been awaiting arrival for a few weeks. It’s my favorite book of the year so far and I think it’s definitely setting the bar super high for children’s books this year. I know this is only March, but this book is outstanding.

But: It will make you cry. This is where my hesitance to read it at storytime comes in. I don’t want to cry in front of my little preschoolers and I don’t want them or their parents crying, either. It could really bring down the storytime. I’m not sure how we’d go from bawling about this book to singing a nursery rhyme or doing a craft. So, this book (while SPECTACULAR) is not on my list for storytime. However, I’ve been recommending it to some of my favorite families and the feedback has been good, except that they’ve all cried and haven’t necessarily made it through the entire book with the kids because the kids start crying because their parent/grandparent is crying and they don’t fully understand why.

Still, all this goes to give you fair warning if you read this book you will have feels. All the feels. But, it will stick with you and be beautiful. So, without further ado, I recommend to you the new picture book “Ida, Always” by Caron Levis, illustrated by Charles Santoso:

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This is inspired by a true story of a bear friendship and is the story of Gus and Ida, who live in a zoo in a big city. They are the best of friends, but one day Ida gets sick and Gus has to learn to deal with the changes that illness bring to his small world. (It makes me tear up to even remember the storyline.)  Gus and Ida are so wonderful and lovable. Levis describes the pain of illness and loss with gentleness, but without glossing over the confusion, helplessness, and anger that you feel when you’re losing someone you love and you can’t do anything about it. This such a beautifully written and illustrated book and I wish everyone would read it.

It’s too early to make ponderings about Caldecott and Newbery for next year, but this is hard to beat, I feel. So good. Just keep the tissues nearby.

 

 

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Mock Caldecott 2016

It’s less than a month until the Caldecott 2016 Award will be announced. The committee doesn’t do a shortlist for the Caldecott or Newbery that I’ve ever been able to find. It’s all sort of hushed up, which leaves us children’s librarians to our own devices. Throughout the year, I’ve been processing the new books with an eye toward the illustrations and a wonder at which of these artists will be given the coveted Caldecott Award for best illustration in an American Picture Book come January. Well, I don’t know. Unfortunately, being immersed in the world of picture books and storytimes and preschoolers doesn’t make me inherently knowledgeable about what the committee is looking for when picking their winners for the children’s book awards.

But, if I were to choose a set of nominees, here would be mine. I can highly recommend all of these books if you’re still looking for a beautiful picture book to give away this Christmas:

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The Last Stop on Market Street
written by Matt de la Pena, illustrated by Christian Robinson.
I liked this book so much last summer that I wrote a blog post dedicated to it. I still love it. My preschoolers loved the illustrations. Plus, I feel like the story is set in the reality that my community confronts every day, and that’s good for my kids to see. It’s good that there is a story that reflects the beauty of their community, even when that community includes things like homelessness and graffiti and is not the typical storybook setting.

 
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Boats for Papa written & illustrated by Jessixa Bagley.
This is it for me. This might be my top choice for Caldecott. The problem for the committee might be the topic that it deals with, but the illustrations are beautiful and I really really love this book. This is the exact type of book that I look for when recommending titles to parents who are searching for books dealing with major issues and how to explain things to children when the parents themselves are struggling to find the words. This book deals with loss and grieving in the most beautifully loving way. No judging the ways in which someone grieves, no time limits for grieving, nothing. Love and understanding and patience are what shine in this beautiful and gentle story. The illustrations are so well done and very detailed. You see the details in the boats and the emotions on the faces of Mama and little Buckley. It’s just…great. If this book isn’t even a nominee for Caldecott 2016, I will be sad.

 

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Sidewalk Flowers “written” by Jon Arno Lawson; illustrated by Sydney Smith
This is a wordless book, so the entire story is told by the illustrations alone and Smith does a fantastic job. It’s really a beautifully written piece of art. The father and daughter are out for a stroll and the father is pre-occupied while the little girl collects wildflowers she finds along the route and she gives them to people as they go. The illustrator uses black and white at first, and as the story progresses and the girl gives away more and more flowers, the pages become beautifully colorful. She lights up the world with her generosity. It’s gonna give you a big case of the happies. I haven’t really heard much buzz about this book, so I don’t know if it’s even on people’s radar, but I’m putting it out there as one of the best wordless books I’ve seen this year.

 

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Waiting written and illustrated by Kevin Henkes
So, Henkes is sort of a King among children’s lit authors. He’s won this award before. He is revered in some circles. But, there’s a reason and this book is a great example of the genius of Henkes. He just gets it. It’s simple. It’s about waiting for something to happen. Seriously, that’s all it’s about. The book is about five friends who sit on a windowsill and wait. Each are waiting for something different and amazing to happen. The illustrations are gentle and pastel-y and beautiful. It’s just…adorable. That’s what it is. Adorable. I would be surprised if it’s not a big contender for the Caldecott, not just for the name recognition, but it is freaking adorable.

 

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Water is Water : A book about the Water Cycle written by Miranda Paul; illustrations by Jason Chin
Okay. This title is not good. I will give you that. It totally doesn’t scream ‘PICK ME UP AND READ ME. I’M AWESOME.’ Beautifully written and illustrated non-fiction picture books are somewhat rare, which is why, when one comes along, we all need to shout it out to the heavens. I’m shouting out because this book is excellent. It is written in a bit of a language pattern, showing the different states of being for water through liquid phase, gas phase, solid phases, which is great for kids. It hits water, fog, mist, rain, ice, snow, etc. The illustrations are out of this world, too. This should be a major contender for the Caldecott if the title doesn’t hurt it’s chances.

 

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The Whisper written and illustrated by Pamela Zagarenski
This is probably the big buzzy leader going into the final few weeks of the year. Zagarenski is an amazing artist, no doubt. The book is beautifully written and deals with librarians favorite topics: books and the power of imagination. I see what the fuss is about. It is for these reasons that I think it’s got a really strong chance at being named the top picture book of 2015. I think it’s a great book, but I wouldn’t read this to my preschoolers. This is the sort of book that I think adults love more than kids do. This is the book that you buy as an adult because you love books and you love to read and this book makes you feel all the feels about the power of reading. It’s good. But, as for best picture book of the year, I personally hope it goes to a book that kids would love to read as well. The story here is just a bit abstract, although the illustrations are beautifully detailed. Zagarenski has been a Caldecott honoree twice, so perhaps the third time is the charm this year?

 

Other possiblities:

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Yard Sale written by Eve Bunting; illustrations by Lauren Castillo
Another favorite book of mine because it deals with a difficult topic for kids and parents alike. The family is facing foreclosure and having to sell all their belongings and move into a small apartment. The yard sale is the final effort at making some money to begin anew in the little apartment. Bunting and Castillo handle this difficult topic so gently and beautifully. The struggle of the parents and the little girl to let go and accept what’s happening is so clear in the illustrations but the story with Eve Bunting at the helm (another giant of children’s lit) is so well done. It’s a really great book. Highly recommended. I don’t know if it will make it onto the committee’s nomination list or not, but it’s a fantastic book no matter what.

 

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A Fine Dessert : Four Centuries, Four Families, One Delicious Treat written by Emily Jenkins; illustrated by Sophie Blackall
Another non-fiction picture book that knocks it out of the park! Hurraaaay! This one is about a simple recipe, but illustrates the progress of the culinary industry over the course of four hundred years. The illustrations are detailed and beautiful. The story is repetitive, but distinctly shows the differences in each century and each family’s living arrangements. I really liked this book. It has been on a few lists of the year’s best picture books, so it has a recognition base already. It might be a good sleeper choice for the Caldecott!

 

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The Day the Crayons Came Home written by Drew Daywalt; illustrated by Oliver Jeffers
This is the follow-up to the wonderful book “The Day the Crayons Quit”, which is a big hit with my preschoolers. This time, there are crayons who want to be rescued rather than quit their job as coloring tools. I like this book, but I am pulling for a picture book that’s original (not that this idea is old or anything, but these two did so well on the first book, I sort of wish they’d have just left it alone rather than trying to cash in again…but that’s sort of a petty reason to leave them excluded from a list like this.) It’s already won some awards based on popularity by readers. Whether or not that pulls the awards committee into giving the Caldecott to Jeffers, I don’t know. As I said, a great book, sure to please the kids and adults alike, but I’m hoping for the winner to be something more original this year.

 

 

Okay, those are my picks. I hope I have at least a few honorees and maybe the medal winner on here. The choice is announced on Monday, January 11th at 8 am during the American Library Association’s Youth Media Awards in Boston. Happy reading!

I always have a wonderful time.

Happy first day of Autumn! Fall is my favorite season. I’m always glad when summer is over and we start to have cooler weather and the trees begin to change. I did a theme of Fall for story time today and even with the really young, it seems as though people know that Fall is an exciting season. They shouted out all the things that Fall brings when I asked them to tell me about it. I heard about pumpkins and leaf colors and long pants and corn mazes and Halloween, etc. Fall has a lot going on. It’s well-loved.

I’m attempting to watch all the Harry Potter movies. I own a couple of them, so have been relying upon the library to supply the rest. I’m only on the second one so far. I’ve seen all the movies before, but not in a short time span, so watching them in order within a few weeks is sort of new and interesting and fun. I am one of the book buyers for the system and buy all of the juvenile Spanish books and have made a point to try to purchase (or re-purchase) books that are popular but that we have very few of. The Harry Potter series is one of those that seems to still be very popular. Last month I re-purchased several copies of the first book for my Spanish-speaking kiddos, and that’s what got me interested in watching the movies again. Plus, at an outreach event, one of the elementary-schoolers got very excited when I answered him that, “Yes, we really do have all the Harry Potter movies. All of them.” And I thought, how nice to get so excited about something like that.

When is the last time you’ve gotten so excited about something? I feel like I’ve always been a pretty easy person to impress. I like a lot of things and enjoy a lot of pastimes, so it’s not tough to find or discover something that is interesting to me. I think a lot of people who go into library work fall into this sort of category. A lot of librarians are librarians due to their inability to focus only on one thing. A lot of people who join the profession do so for the chance at a career that will allow them to continue to learn about a wide variety of subjects, sort of wherever the wind might take them, rather than have to specialize in one single area. Working as a special collections librarian was interesting because I helped a lot of researchers find information on such a variety of subjects, it was never boring. Genealogy was also never boring, because you’d find links and clues and it was always a bit like detective work, I thought. It was interesting. Being a children’s librarian is interesting in a different way. I’m not necessarily forging new territory in what I’m sharing with kids, but I’m seeing them discover things. And I’m re-discovering things. For instance, I forgot how awesome bubbles are. Nothing is cooler than bubbles to a preschooler. Except maybe Play-Doh, or a parachute, or finger painting, or singing a song, or playing with a giant goose puppet. In this job, unlike any other I’ve held, I feel like I’m sort of re-discovering things to be excited about. Things that adults sort of, don’t, anymore. Not because bubbles and play-doh and painting aren’t fun for adults (because I’ve seen that despite “adultness”, most people still love these things), but they seem to act as though they’re not allowed to have fun with these sorts of things anymore. They’re “too old” for bubbles or play-doh or painting.

But, my question has become the ever-popular, “Why?” Why does getting older mean you have to stop playing with these things? Why, when you reach adulthood do you suddenly have to deny yourself access to the things you loved as a child. I believe people are who they really are, truly, when they are children. The six-year-old boy who comes in and can tell me all these obscure facts about Greek Gods? And will use the puppets to create and tell his family the myths that he’s read about in books?I know he actually likes mythology. He’s not into them because another kid likes them and he wants to be like that kid. He is actually interested and excited about this because it’s who he is. The five-year-old girl who can design them most amazing Lego creations? She’s actually interested in building things. This isn’t for a test, she’s not being graded or judged by anyone. Nobody’s yet tried to dissuade her from building and engineering things, because “girls don’t become engineers”. Her brain is wired to comprehend mechanical things and see ways to build things in ways that others don’t. And that’s awesome and true to who she is. So, why, when those awesome kids grow up into adults, might they probably not play with Legos anymore, or act out ancient legends with puppets? Maybe they will. Maybe they will be some of the select few who survive to adulthood with their true selves still intact and not buried under the expectations of what “adulthood” is supposed to mean. But, what I’ve oddly learned from all of these children in my job is to question our version of adulthood. Why does growing up have to mean that we deny ourselves these simple things that made us SO happy as little kids? Why can’t adulthood mean, “Hey! I’m old enough now to make my own money and buy my OWN play-doh! And that awesome bubble machine I’ve always wanted! Hell. Yes.”

I think it’s wrong to “age-shame” people into believing that once they reach adulthood, they have to deny themselves all the things they loved as children. Or that you can’t buy things you liked as a kid, because you have to buy all the things you need as an adult, which I think is pretty negotiable most of the time. It seems like a punishment, to me. Where does that belief and action even come from? No wonder people are stressed out all the time. I’m telling you, if you just take a buck and buy a little tub of play-doh and set aside time to create with it for even an hour each week, you will feel happier. Or, buy some bubbles and blow some bubbles in your living room after a tough day at work. Why not?

I won’t always be a children’s librarian, but (I hope) I will remember some of these life lessons that these kids are teaching me while I’m here. And if I can’t remember them, there’s always Jimmy Stewart as Elwood P. Dowd in the 1950 movie, “Harvey” to remind me of the importance of a good attitude and the happiness that is found in being easily impressed and excited by the simpler, everyday things:

I always have a wonderful time, wherever I am, whomever I’m with.

Last Stop on Market Street

There is a really great movement in the librarian world happening right now calling on publishers to publish more diverse books, basically meaning we want more books whose main characters aren’t always white.  We want books that better represent the communities that we serve every day. It’s a movement that’s been picking up steam in the last couple of years and hopefully will continue to do so. There is a strong need for children and adults to “see” themselves in the books they are reading. It’s important for teens and early chapter books as well, but especially important for children’s picture books since they are showing you that the child/all characters are white in the illustrations in the book. Granted, a lot of children’s book authors bypass this entire topic by having the story told by or featuring animals like Clifford the Big Red Dog, Arthur the Aardvark, or Peppa Pig. But, for those who choose to use humans, many librarians are hoping for a shift toward a selection of books whose characters better represent our country’s diversity.

Which brings me to another recommendation for a children’s book: “Last Stop on Market Street” by Matt De La Peña and Christian Robinson is a gem of a children’s book. I highly recommend it. It features a grandmother and grandson relationship (which is wonderful for my particular community where many grandparents are the legal guardians of their grandkids) and the family is black. While the majority of my community members are of Hispanic descent, not black, it’s still a nice change from having everyone be white all the time in all the books the kids have access to in the library. Back to the story line: Every Sunday, Grandma and her grandson leave church and take the bus to the soup kitchen across town where they volunteer. The grandson is tired of taking the bus and wants them to get a car and buy new gadgets and wants to live in a nicer place and Grandma is such a beautiful character and the descriptions of the interactions she and her grandson have are so beautifully written. You can hear her laugh, you can hear the wisdom come through the dialogue. It’s just so great. She shows her grandson all the beauty that surrounds him. It’s a great inter-generational story as well as being classified as a “diverse” book. I particularly liked it and loved reading it to my storytimers because of all the ways it connects to many of their everyday lives:

A) The bus is a major mode of transportation in my community.
B) the aforementioned reality of grandparents being a huge part of the kids’ lives, and sometimes the main adult role models for kids in my community.
C) The book doesn’t only feature a black family, but the characters the family meets and interacts with on the bus are also wonderfully diverse. There’s the first tattooed man I’ve ever seen in a children’s book, for instance! And my community is chock-full of tattooed folks, so the kids are well-acquainted with seeing people inked up. The soup kitchen illustrations include homeless people, the streets include graffiti, etc. It’s a book based more in the reality of my community than many of the books that are published in picture book format.

Having characters in their book look more like the people they see each day is so wonderful. The kids were enthralled by the book. The other two books I read for storytime were a bit of a dud, and I was worried about this one because I was reading it last and I thought maybe their attention spans would be gone, but they were absolutely focused on the pictures and the story. It really connected, and I was soooo glad!

Here is a link to the campaign website for the We Need Diverse Books movement. http://weneeddiversebooks.org/ It’s not just librarians, there are teachers and parents and social workers and all sorts of people involved, but the librarians are loud and proud and since that’s my little corner of the world, that’s sort of who I associate this movement with. It’s a fantastic movement and long overdue. Having books that showcase aspects of all the different lives that humans experience, whether living with a disability, being part of a mixed-race family, being part of an LGBT family, having picture books translated into new languages and shared across the globe for all kids to experience…it’s all so important and so needed. Children are able to learn and grow and understand so much more than they are often given credit for and I think sometimes people feel like “children don’t see race”. This isn’t true. Children see it and of course they know when the characters in their books never ever look like them or like their family. And it’s not much to ask to want publishers to publish books from authors who write from diverse perspectives. It’s not asking them to STOP publishing authors who focus on traditional or white families; it’s just asking that the publishing industry’s scope for children’s materials be widened to allow for more stories to be told and shared, because the diversity and wider scope of content and viewpoints benefit us all.

Chin up.

I learned a good library work lesson the other day. A lesson about planning a program from scratch and believing it’s really something the community wants and then the day finally comes and… Nobody shows up for it. Nobody even asks about it after its over. Nobody even mentions that they had meant to come to the program. Nothing. Nothing at all!

It’s a good lesson for me. I was disappointed, but also hopeful. “Hey! Attendance can only go up from here!” I spent a lot of time over the last few months thinking and planning for this new weekly program for kids and families and it was discouraging to set it all up and then stand there for fifteen minutes before resigning myself to the fact that nobody was coming and packing all the props back up and cleaning up the room. I’ll try again this next week. Maybe with better marketing. I’d put it in all of our regular marketing things and I saw it was on the library’s website, but no go. Maybe it needs a better time than it’s scheduled for, but I was hoping to reach a slightly different audience than I get with my regular story time (although, if the families wanted to come to two different programs each week, that would be cool!)

Anyway, I think this is a good lesson for me. And maybe a good one for others, too. I think it’s really important to plan programs that your community could benefit from having available to them, but sometimes they might not take to the idea straight away. Maybe (hopefully) they will come around after a while? I am lucky in that I have a manager who is willing to let me try these kinds of things and when I sort of fall flat on my face, she is still supportive and says we’ll try again next week. I think the act of creating a weekly program and planning it and buying props and making an effort to create something that benefits a community is a good exercise. One that you hope is actually utilized by your community, but even without anyone showing up, I do feel more confident in my program-planning skills. I feel like I could do this sort of thing again. And now that I know what it feels like to create a program and market it and have nobody show up, I think I can handle that sort of experience again, too.

I’m a pout-pout fish with a pout-pout face.

This morning’s story time was nice! My story time crowds have shrunk significantly over the summer. I used to get between 20-30 children at my story time during the school year and into the early summer, but these last few weeks I’ve been getting less than 10. At first, I was worried about this, thinking that I didn’t really know how to work with such a small group. I had a few issues with attention spans over the last few weeks, so I’ve been adding more actions and more movement activities to try to keep their focus. But, I’ve also been able to actually get through three stories. I used to only try to get through two, because it took so long for the 25 children to make their crafts after story time ended that I would often have parents and caregivers still there long after the program was supposed to be over. But, today I had 18 people total, and about half were kids. And today turned out to be one of my favorite story times! I felt like the kids were interested in all the books, they were excited to sing the songs and do the movement activities I had planned. It was great! I’m definitely warming up to these smaller groups, now.

I know that some children’s librarians don’t use themes for their story times, but I still find it helps me to narrow down my book selection and songs and movement activities if I have a topic. Sometimes it’s not very easy to think of a topic and I’ve had some topics with some real duds, book-wise. But today’s theme was Back to School, because the city’s public schools begin tomorrow. Several of my families are enrolling their kids in preschool for the first time and I have one family who is starting homeschooling tomorrow, so it was a topic that the kids were familiar with and thinking about on their own.

I chose the theme not only for its timeliness, but also the GREAT selection of books from which to choose. I literally had dozens of books on the subject just in my branch library. There were three books I read for the kids today, but one specifically that I loved and that they seemed to like, so I thought I’d give it a shout-out on this humble blog. I love the Pout-Pout Fish and there’s a book about the Pout-Pout Fish going to school.

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Pout-Pout goes to school and he doesn’t like it at all. He feels like he can’t learn the things he’s supposed to learn, he’s a “fish out of water” (excuse the pun), and he decides to give up. He starts to leave and his teacher comes and finds him and tells him that he is smart and he can do it and he does belong at school. Also, she tells him that he’s not expected to know things that he hasn’t yet learned. It was cute and the kids seemed to like it, too. It really kept their attention. I don’t know how many of the kids are anxious about starting school (even if it’s a year or two away), but I think most people at some point in their lives feel a little nervous about starting new things. It’s a great book for anybody starting any new endeavor, I think. A Pout-Pout Fish book is always a good idea!

You are you. Now, isn’t that pleasant?

Each Wednesday morning I have a preschool storytime. I have a core group of families who tend to show up. It has fluctuated quite a bit over this summer. This was the first summer my library system elected to continue storytime after April. They used to always stop storytime for the summer and pick up again in August. They didn’t like to have the children’s librarians running the summer reading program and still doing storytimes at the same time, I guess. But, they decided that the community was in need of continuous storytimes, so here we are. Initially, my attendance stayed pretty high, but it’s steadily decreased. Today was the smallest storytime I’ve had since I started doing them last year. I had 5 preschoolers and 1 infant. I was doing a circus theme and they loved my “circus big top” (a white bed sheet, because the parachute I had asked to borrow from another library has never shown up.) They enjoyed the first book, Song of the Circus by Lois Duncan (Yep, that Lois Duncan! The same one who writes thrillers.). They enjoyed the songs and movement activities. And then, I tried something I’ve only tried one other time (another very small storytime crowd, come to think of it): I read them a Dr. Seuss book.

I like Dr. Seuss, but he has been troublesome for me in the world of storytimes. The first time I tried to read a Dr. Seuss book for storytime, it was MLK Jr. Day and I read the story of the Sneetches. I love that story. The few children who were at the storytime chimed in with their comments about how terribly treated some of the Sneetches were and how silly it all was that if you have a star on your belly you get to do things that others cannot. It worked as I had hoped it would for that particular theme.

However. There was a father who asked to see the Dr. Seuss book during craft time and then proceeded to tell me how Dr. Seuss was not a good role model for children because he was anti-Semetic and that he doesn’t read Dr. Seuss to his children and believed I should no longer read Dr. Seuss in storytimes.

Well… I’ve never found any reliable sources claiming that Dr. Seuss was anything other than supportive of Jews. In fact, during WWII, he criticized the US for its treatment of Jews and was very solidly anti-Hitler. He did agree with the Japanese internment camps during WWII, which was a moral blunder, but he later seemed to see the error of his ways in the writing of Horton Hears a Who, written about the occupation of Japan after WWII and which he dedicated to a close friend of his from Japan. At any rate, I don’t know where this father got his opinion. Certainly, everyone is entitled to decide whether to read certain books to their children or not, but he stopped bringing his kids to storytime after that. If I’m honest, it was not much of a loss. The fellow was rather off-putting in a general way, although his kids were great. Despite one parent’s problem with an author or a children’s book, I would not stop reading said author aloud to children. That’s not the point of a public library, those sorts of stipulations would be appropriate in a non-public library…like in your own home.

Still, I haven’t given Dr. Seuss a try in storytime since then and that was nearly six months ago. But, today I decided to give it another go because If I Ran the Circus  is SO good. It was a big, fat, flop. I think it was too long. Dr. Seuss is definitely wordy. My kids today ranged from about 2-5 and I think Dr. Seuss just dragged on a bit too much. It’s nonsense words went over a lot of their heads. There were a few giggles, but there was a lot more talking amongst themselves and not paying attention. Usually these kids pay attention. So, I was sort of disappointed. I asked them questions about the story when I finished and they could hardly tell me anything about it. It wasn’t good. Maybe it needs an older crowd. Maybe his books are just too long for this age group. Maybe it just wasn’t a day for Dr. Seuss and storytime. Or maybe Dr. Seuss and storytime are not that great of a match here. It’s a shame, really. I’ll probably try him again sometime, but I need to find a way to bring the kids into participating with the story more. Maybe just The Cat in the Hat (although, I really don’t like that one much), or something that they might have been introduced to previously. I don’t know. I’m afraid Dr. Seuss will just go back on the shelf for a while.

I’ll give him three chances, but not another chance for a while. Not only because of the reception he received, but also because it’s a lot of work to read a Dr. Seuss book aloud and not stumble over the nonsense words or the tongue twisters! I practiced reading this book three times before I actually read it to them this morning. It’s tough! I know some people think reading Seuss to kids isn’t good because of all his nonsense words, but I disagree. Even the two-year-old today laughed at some of the nonsense words. They know, even at that young age, that the words are goofy. They know ‘eyeses’ and ‘shouldsters’ aren’t the correct words for the body parts, even if they don’t know that there’s not a planet called “Foon”. It’s all good, but maybe not always the best for a storytime setting? Sigh. I don’t know. It’s a situation where I want it to work and don’t want to give up on it, but its a disappointment each time I try.

In the meanwhile, try reading this aloud without stuttering or stopping or having a brain-jolt at the tongue-twisting turning of phrases of old Theo Geisel:

“When beetles fight these battles in a bottle with their paddles
and the bottle’s on a poodle and the poodle’s eating noodles…
…they call this a muddle puddle tweetle poodle beetle noodle
bottle paddle battle.”
Dr. Seuss, Fox in Socks

I have one particular girl in storytime who loves to clap when the story is over. Several of the parents have taken to clapping when the story is over, too… I don’t know how to handle it, so I usually just sort of move quickly on to the next thing we’re doing. But today, after getting through all the tongue twisters without stumbling or messing up the Seussian rhythm I was all like:

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